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6月5日，TASSANI塔萨尼艺术涂料与费罗娜水泥瓷砖在上海世博会·卢森堡馆（江南晓宴）共启《未完成的艺术》设计师晚宴，与百余位设计先锋共赴一场关于材料、空间与永恒创造的对话。

On June 5th, TASSANI Tassani Art Coatings and Ferrona Cement Tiles jointly hosted the "Unfinished Art" designer dinner at the Luxembourg Pavilion (Jiangnan Xiaoyan) of the Shanghai World Expo, attending a dialogue with over a hundred design pioneers on materials, space, and eternal creation.

TASSANI塔萨尼的未完成美学

意大利TASSANI塔萨尼大中华区执行总裁刘芳女士，以设计上海的“色域觉醒”展览主题引出发言，“当塔萨尼的涂料离开意大利工厂时，它的故事才刚开篇。”正如这次设计上海之行，塔萨尼携手设计师徐庆良和杨铭斌及四大家居品牌，又拉开了另一段艺术之旅，前行道路没有终点，能与在场各位设计师共赴“未完成的艺术”是品牌荣幸。

Ms. Liu Fang, Executive President of TASSANI Greater China, introduced her speech with the theme of the "Color Space Awakening" exhibition in Shanghai. "When Tassani's paint left the Italian factory, its story was just beginning." Just like this design trip to Shanghai, Tassani, together with designers Xu Qingliang and Yang Mingbin, and four major home furnishing brands, embarked on another artistic journey. The road ahead has no end, and it is an honor for the brand to go to "unfinished art" with all the designers present.

国产瓷砖的里程碑时刻

晚宴中，费罗娜水泥瓷砖创始人陈高照先生表示，费罗娜成为设计上海首个亮相的国产瓷砖品类品牌，这一突破性身份，恰是品牌对“未完成使命”的诠释：当国际瓷砖巨头长期主导高端设计领域，费罗娜以“水泥瓷砖”这一革命性品类撕开裂缝，让中国原创设计力量站上世界级舞台。

At the dinner, Mr. Chen Gaozhao, founder of Ferrona Cement Ceramic Tile, stated that Ferrona has become the first domestic ceramic tile brand to debut in Shanghai's design industry. This breakthrough identity is precisely the brand's interpretation of its "unfinished mission": when international ceramic tile giants have long dominated the high-end design field, Ferrona has torn open the cracks with the revolutionary category of "cement ceramic tiles", allowing China's original design power to stand on the world-class stage.

浮岛栖所里的新DNA

作为晚宴的重要篇章，由瑞坤国际-正方良行徐庆良、杨铭斌操刀的设计上海展位「浮岛栖所」成为焦点。以“浮岛”为设计概念，将五个泛家居品牌化作漂浮的叙事单元，用空间蒙太奇手法解构传统展陈逻辑。展览最终呈现的不仅是产品陈列，而是五个品牌的共鸣频率，及定义新生活方式DNA。

As an important chapter of the banquet, the design of the Shanghai booth "Floating Island Habitat" by Ruikun International - Zhengfang Liangxing Xu Qingliang and Yang Mingbin has become the focus. Using the design concept of "floating island", five pan home furnishing brands are transformed into floating narrative units, and traditional exhibition logic is deconstructed through spatial montage techniques. The exhibition ultimately presents not only product displays, but also the resonance frequency of the five brands and the DNA that defines a new lifestyle.

而今年繁星计划3.0，也同样有徐庆良的加入，连续3年的关爱特殊群体的公益项目，不仅有爱心企业和设计师，更有艺术家的加持，让繁星计划的的公益路能够越走越远。这也同样是徐庆良先生的“未完成的艺术”之一。

And this year's Starry Sky Plan 3.0 also has Xu Qingliang joining, a public welfare project that has been caring for special groups for three consecutive years. It not only has caring enterprises and designers, but also the support of artists, allowing the Starry Sky Plan's public welfare path to go further and further. This is also one of Mr. Xu Qingliang's "unfinished arts".

永不竣工的艺术使命

祝酒仪式上，陈高照先生、刘芳女士、设计师徐庆良和杨铭斌先生共同举杯的瞬间，恰是品牌新征程的隐喻：敬未完成的理想，敬永不落幕的创造。

At the toast ceremony, the moment when Mr. Chen Gaozhao, Ms. Liu Fang, designer Xu Qingliang, and Mr. Yang Mingbin raised their glasses together is a metaphor for the brand's new journey: to honor unfinished ideals and to honor never-ending creations.

水泥与涂料的材质二重奏

当费罗娜的水泥瓷砖遇见TASSANI的艺术涂料，两种材质在晚宴现场碰撞出惊人默契。在「未完成的艺术」主题展墙前，混凝土原块垒砌成粗犷基座，开裂的肌理如地质断层般延伸；这座由混凝土、原木与时间痕迹构筑的微型建筑，正上演着费罗娜水泥瓷砖与TASSANI艺术涂料的材质诗篇。这种材质对话更加印证了“水泥瓷砖不是终点，而是激发空间情感的媒介。”我们与涂料、家具、光影的每一次碰撞，都在重写‘完成’的定义。

When Ferona's cement tiles met TASSANI's artistic paint, the two materials collided and created an amazing synergy at the dinner party. In front of the "Unfinished Art" themed exhibition wall, concrete blocks are laid into a rough base, and the cracked texture extends like a geological fault; This miniature building, constructed from concrete, wood, and traces of time, is performing a material poem of Ferona cement tiles and TASSANI art paint. This material dialogue further confirms that 'cement tiles are not the end point, but a medium that inspires spatial emotions.' Every collision we have with paint, furniture, and light and shadow is rewriting the definition of 'completion'.